Flughand – 1000
Announcing the brand-new album by Flughand.
Flughand, returns with new album ‘1000’. A new collection of tunes that continue to explore the realm of lo-fi beats, jazz, and hip hop. The German-based, producer and composer uncovered his love for deep pockets and downtempo beats in the late 90s and ‘1000’ is an extension of that sound and how his production style has evolved over time.
Announcing the brand-new album by Flughand.
Flughand, returns with new album ‘1000’. A new collection of tunes that continue to explore the realm of lo-fi beats, jazz, and hip hop. The German-based, producer and composer uncovered his love for deep pockets and downtempo beats in the late 90s and ‘1000’ is an extension of that sound and how his production style has evolved over time.
The album offers the listener space to create their own narrative to go alongside the instrumental experience. The nature of the music is often transcendent and offers the listener space to create their own narrative to go alongside the mostly instrumental experience. Even though most of the tracks hover around the 2-minute mark, each of them quickly begins to feel like their own individual dream that all exist within the same world.
Those familiar sounds bring about the cohesiveness of ‘1000’ and contribute to its ability to lose yourself in the project.
‘1000’ is all created straight out of a drum machine before mastering sessions, no daw is necessary to bring these sounds to life. While most of the tracks are chopped up sample patterns of instruments created by Flughand himself, “Servu” is complemented by live saxophone and keys instrumentation. Maybe the clearest nod to jazz on the record, elements that always seem to show themselves in Flughand productions.
The album offers the listener space to create their own narrative to go alongside the instrumental experience. The nature of the music is often transcendent and offers the listener space to create their own narrative to go alongside the mostly instrumental experience. Even though most of the tracks hover around the 2-minute mark, each of them quickly begins to feel like their own individual dream that all exist within the same world.
Those familiar sounds bring about the cohesiveness of ‘1000’ and contribute to its ability to lose yourself in the project.
‘1000’ is all created straight out of a drum machine before mastering sessions, no daw is necessary to bring these sounds to life. While most of the tracks are chopped up sample patterns of instruments created by Flughand himself, “Servu” is complemented by live saxophone and keys instrumentation. Maybe the clearest nod to jazz on the record, elements that always seem to show themselves in Flughand productions.
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